these little stupid stumbling blocks in storytelling
they are why 'execution'...connects to execution post
she needs a good reason to go from point a to point b
whatever we'll think of it [not that crazy; ppl go from point a to point b]
but if you can't _execute_ on a _good_ reason, meaning build the scene and motivation etc., then you do in fact wind up with a nonsense of running around
or
more analytically
a thing where the machinery of genre and expectation and external tell are evident and driving, rather than any internally motivated story
BUT
obstacles fuck you up
BUT
[and this reverse gets you to body, here:]
don't leapfrog problems your characters have
in fact, check to see if you've leapfrogged any
meaning!
famous scene in Independence Day ==> virus, so dumb ha-ha
but, 'worse' than that
made movie about nonsense of running around
vs. Arrival
problem of basic basic communication
they are why 'execution'...connects to execution post
she needs a good reason to go from point a to point b
whatever we'll think of it [not that crazy; ppl go from point a to point b]
but if you can't _execute_ on a _good_ reason, meaning build the scene and motivation etc., then you do in fact wind up with a nonsense of running around
or
more analytically
a thing where the machinery of genre and expectation and external tell are evident and driving, rather than any internally motivated story
BUT
obstacles fuck you up
BUT
[and this reverse gets you to body, here:]
don't leapfrog problems your characters have
in fact, check to see if you've leapfrogged any
meaning!
famous scene in Independence Day ==> virus, so dumb ha-ha
but, 'worse' than that
made movie about nonsense of running around
vs. Arrival
problem of basic basic communication